- Cd (musik)
David Attenborough - My field recordings from across the planet
(2018)
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Detaljer om materialet
Type
Cd (musik)
Format
2 cd'er i bog
Sprog
flere sprog
Genre
folkemusik
Emneord
Emnetal
78.7
Bidrag af
Indhold
David Attenborough's IntroductionThree Balanges and Chorus of Women with Iron RattlesSolo Balange and DrumZa-Za SoloZa-Za and Triangle with Singer & ChorusBundu Society DanceDance of Welcome of the Bullon TribeSnatch of Song Accompanied by the QuindinaBone Flute 1Bone Flute 2Hallelujah ChantGamelan OrchestraKris DanceThe DjogedGender WayangKebiarTjapung Gangtuk (Jaws Harp Solo)Genggong Music 1Genggong Music 2Flute SoloSuling Suralaya (Celestial Flutes)Dyak Marriage Celebration (Men's Dance)Gambus SoloGambus DuetDyak Marriage Celebrations (Women Singing)Dyak Funeral GongsPorters SingingDavid Attenborough's Conclusion 1David Attenborough's Introduction 2MalvitaIguazuLa LlegadaLa Viega CasaNdeve-GuarnteLucerito AlbaNe Rendápe AjuCampo Cerbo LeoneGaloperaPanambi VeraThe Lament of My GuitarTres de MayoMeke (Dance)Tau LungaNose Flute TrioSitting DanceMekeTaralalaCalling the TurtleLand-Diving Songs 1Land-Diving Songs 2Two ValihasThree ValihasMerina Tribe Retournement CeremonyWalbiri Tribe Blooding CeremonyBull-RoarerBull-Roarer and ChantGunavidi TribeBurada Tribe: Yurlunggur SongDavid Attenborough's Conclusion 2
Beskrivelse
Feltoptagelser, Sierra Leone 1954, Guyana 1955, Indonesien 1956, Paraguay 1958, Tonga, Polynesien og Melanesien 1959, Madagascar 1961 og Northern Territory, Australien 1963
Forlag
BBCWrasse Records
Målgruppe
voksenmaterialer
Anmeldelser
Weekendavisen, 2018-12-07
"De amatør-musiketnologiske feltoptagelser har ligget hengemt i BBCs lydarkiver i mere end et halvt århundrede og blev betragtet som bortkomne, indtil produceren Julian May gravede dem frem og i maj præsenterede materialet i et radioprogram kommenteret af Attenborough selv ... Efter få sekunders lytning er man rask væk i gang med at afspille en indre film af en ung globetrotter i safaritøj med en ti kilo tung transportabel båndoptager over skulderen ... Han må have tabt både næse og mund, for musikken (...) er virkelig vidunderlig. Vi hører bevægende korsang, fintmaskede percussive forløb og komplicerede tonerækker, der glimter og skinner som bittesmå dugdråber ... Næsefløjten fra dronning Salotes hof i Tonga er så eventyrlig, at de fiktive folkeslag i Game of Thrones godt kan gå hjem og vugge ... Udgivelsens altoverskyggende fokus på David Attenboroughs figur virker dog forstyrrende ... Det knastørre pladeomslag røber intet om det vilde, spøjse og spraglede indhold ... Det gælder om at spænde tropehjelmen og holde godt fast på de imperialistiske briller. Hu hej, hvor det går, når vi springer fra kontinent til kontinent. Nonchalant og helt løsrevet fra sociale kontekster klumper albummet alle mulige forskelligartede musikalske udtryk sammen ...Det lugter lidt af jagttrofæ"
Weekendavisen, 2018-12-07
Mojo, 2019 February
"Sixty tracks from a pre-media world prove the naturalist should be celebrated for more than cavorting with gorillas"
fRoots, 2019 Spring
"Considering the limitations, these recordings have an enthralling cohesive quality from start to finish. The enthusiasm which Attenborough must have devoted to the project is remarkable. Perhaps more ethnographer than musicologist in this instance, he recorded what he found interesting and in the breadth of these recordings showed himself to be much more open to different traditional sounds than many of today's experts. Attenborough regrets that more detailed note-taking about the performers was not applied, but his sleeve notes are still illuminating and some of the anecdotes, such as the recording of the Dyak funeral music, will pass into legend. It wouldn't do to recommend individual tracks from such a wonderful set, although his Paraguayan recordings became influential and his Balinese recordings still stand up very well indeed, as do his examples from northern Australia"